PLB 0-688-14629-5 In a companion to Cherry Pies and Lullabies (see review, above) Reiser infuses the often mundane actions of daily life with a sense of tradition and great love in a vibrantly illustrated, bilingual picture book that captures the rhythms of life. Told from the perspective of a young girl, the story opens with her great-grandmother making tortillas for the girl’s grandmother, then moves through each successive generation to the present day, as the child makes tortillas for her doll. Gathering flowers, washing clothes, and singing lullabies are the other commonplace occurrences exalted by the mantras, which always conclude, “Every time it was the same, but different.” Placing the English text at top of every page and the corresponding Spanish text at the bottom creates a unique border for the lush, colorful illustrations, created by a consortium of Costa Rican women known as the “Valiant Hearts.” The bright, richly detailed pictures are almost overwhelming as they draw readers’ eyes into the lives portrayed. Elements within each picture identify the era—one dress is washed in a stream, another in a washing machine—and provide children with something of a searching game for details that demonstrate the passing of time. In both books, simple phrases and gentle repetition convey the enduring nature of love and the reassuring continuity of life. (Picture book. 4-8)
Pub Date: April 1, 1998
ISBN: 0-688-14628-7
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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