The author of The Fatigue Artist (1995), among several others, rings mischievous changes on the idea of “family values.” Schwartz made her fictional debut with Rough Strife (1980), a fairly dark view of marriage and kinship bonds. Here, she takes a much lighter tone as she romps through the intricate interconnections of a very extended family, most of its members living in apartments in an Upper West Side building owned by elderly but still randy widow Anna, and managed by her 50ish daughter Bea. The story opens with Bea’s ex-husband Roy succumbing to a pass from his second wife, Serena, who now lives with Bea’s sister May. Serena and May want a baby, and Roy—a psychotherapist and generally agreeable guy—is willing to oblige. He’s shortly to marry Lisa, his daughter Shimmer’s math teacher, so he’s in a generous mood. By the end, Serena, Lisa, and Roy’s daughter-in-law, Melissa, are all giving birth at the same hospital in a rather silly scene that provides a limp climax to a generally enjoyable book. Schwartz provides just enough dark undertones to keep the merriment from feeling trivial: Anna is slowly losing her memory; Tony, Roy’s son with a Vietnamese prostitute, feels cut off from his roots and alienated from his yuppy wife; Danny, Roy and Bea’s son, keeps falling in love with unsuitable, unavailable women; Bea, a caterer by profession and a compulsive nurturer by instinct, can—t seem to prevent her life from being swallowed up in other people’s needs; and most of the characters sense an existential loneliness underlying their frantic (and quite touching) efforts to connect with others. Plausibility is not a top priority here. By the time the wayward daughter of one of Roy’s patients turns out to be Shimmer’s best friend, readers may find all the coincidences and apartment-sharing a bit ridiculous. Still, Schwartz’s old-fashioned storytelling and vivid—if not necessarily deep—characterizations carry the day.
Pub Date: Oct. 1, 1999
ISBN: 0-688-17071-4
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: June 20, 2011
Kirkus Reviews Issue: Aug. 15, 1999
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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