by Lyta Gold ‧ RELEASE DATE: Oct. 29, 2024
A savvy contribution to current debates.
What good is fiction?
Journalist Gold makes an incisive book debut with a thoughtful, often witty, examination of the causes and consequences of banning novels. “Most of the time,” she writes, “when we get anxious about the effects of fiction, we’re worried about mimetic responses—not so much from ourselves but from other people.” From ancient Greece to present-day America, book banners claim that they are protecting readers from ideas about reality that would harm them or undermine the community’s values. To Plato, for example, tales of gods behaving badly were “always endorsement and a social license for bad behavior.” Gold skewers the justification used by right-wingers that readers—especially children—will mistake a story for reality, “and that this mistake will lead them into unhealthy or disreputable situations.” “Cancel culture,” Gold contends, though not as virulent as outright banning, arises from the same “misguided presumptions” about fiction’s insidious power. For Gold, the crucial question is this: “How much can we expect of art and entertainment to fix our problems with reality, especially under our current economic and political system?” Gold refutes assertions from the left that “viewing and promoting something that the far right dislikes” is “a political act in itself,” and a virtuous act, at that. Reading about climate change, she reminds readers, doesn’t stop global warming. Gold looks at sci-fi, video games, movies, and TV to argue that media companies produce what is in their “financial best interest.” If an anti-capitalist novel were published, she writes, “it would just be a novel: it wouldn’t affect capitalism one way or another.” Still, Gold extols the impact of fiction: “We’re transformed by great writing,” she claims, “not beyond our own powers and capabilities but into them.”
A savvy contribution to current debates.Pub Date: Oct. 29, 2024
ISBN: 9781593767709
Page Count: 352
Publisher: Soft Skull Press
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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by Eli Sharabi ‧ RELEASE DATE: Oct. 7, 2025
A dauntless, moving account of a kidnapping and the horrors that followed.
Enduring the unthinkable.
This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.
A dauntless, moving account of a kidnapping and the horrors that followed.Pub Date: Oct. 7, 2025
ISBN: 9780063489790
Page Count: 208
Publisher: Harper Influence/HarperCollins
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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