An English Pen Award winner, this anthology forms a rich, creatively diverse motif sublimely representative of a country and...
An emancipating exhibition from uprising artisans of Syria.
Assessing the value of art and culture in Western Asia amid “such untold bloodshed,” editors and Syrian journalists Halasa, Omareen and Mahfoud collect striking works of literary, photographic and hand-drawn self-expression from more than 50 talented, passionate contributors, both new and established. The opening photomontage honors victims of the 1982 Hama massacre and is followed by Samar Yazbek’s searingly haunting journey through northern Syria, a devastated countryside “made of earth, blood, and fire, where explosions never ceased.” Animator Sulafa Hijazi’s brutally explicit “cycle of violence” artwork represents her history living in violent, revolutionary-era Syria, as do defected illustrator Khalil Younes’ ink-on-paper creations. The written compositions are permeated with violence, bloodshed and familial sorrow, but also hope and resilience within a culture struggling to regain some semblance of citizenship. Amassed here is a dramatic tapestry of poster art, cartoons, inspired poetry, digital and cellphone video stills of bombed neighborhoods riskily posted to social media, and the anonymously produced finger-puppet play series “Top Goon.” Syrian artistic culture has emerged as the ultimate weapon against the country’s despotism, but these works also reflect a complicated revolution with fatal consequences: Graffitists like those featured in the book can be killed if caught stenciling city walls with radical countergovernmental street art—though they have devised a “secret toolkit for spray-painting quickly and surreptitiously.” Unfurling from the formerly closed fist of tyrannical oppression, these pieces are emblematic of a repressed culture’s innovative activism, courageously echoing the editors’ belief that “creativity is not only a way of surviving the violence, but of challenging it.”
An English Pen Award winner, this anthology forms a rich, creatively diverse motif sublimely representative of a country and its people awash in strife and insurgency.Pub Date: Oct. 7, 2014
ISBN: 978-0-86356-787-2
Page Count: 328
Publisher: Saqi Books
Review Posted Online: July 5, 2014
Kirkus Reviews Issue: Aug. 1, 2014
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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