Like reading your mother’s diary: You’ve heard the stories before, but you appreciate her courage to share the details.
Chellis (Ordinary Women, Extraordinary Lives, 1992, etc.) narrates the lives of five women who forsook the 1950s ideal they were raised to follow.
Raised in an affluent North Shore suburb of Chicago in the 1950s, “the girls” were expected to marry the June after college graduation and become “nurturing mothers and yielding wives.” Instead, they broke the mold so they could “have it all”—children and a career—which paved the way for future generations. In the beginning, it’s hard to empathize with “the girls”—they’re wealthy, good looking and constantly traveling the country or fielding proposals. But in time, they reveal family secrets, grapple with unsatisfying relationships and face tragedy. While reunited to celebrate their 50th birthdays, the friends decide to share their stories on paper. Thanks to countless books, movies and television shows that document the era, their generation’s struggles are now somewhat familiar, but readers will nonetheless appreciate the honest recounting of these experiences, especially given how unspoken these topics once were. It seems that at least one of “the girls” was present to witness the most monumental U.S. events from the last six decades: one marched with Martin Luther King Jr. and later befriended Gloria Steinem, others attended Woodstock, worried about husbands fighting in Vietnam, and cared for AIDS-inflicted men in 1980s San Francisco. Chellis, a close friend of all the women (one wonders why she didn’t include her own story), alternates among the characters in quick one- or two-page snippets that can make it difficult to keep straight the five concurrent storylines. The writing is clean with a pleasantly surprising amount of detail, considering the necessarily speedy plot development. Readers may want to skip the preface, which features a section called “The Girls” that summarizes each woman’s life, giving away too much plot for those who want to avoid spoilers.
Like reading your mother’s diary: You’ve heard the stories before, but you appreciate her courage to share the details.Pub Date: May 13, 2010
ISBN: 978-1450227261
Page Count: 240
Publisher: iUniverse
Review Posted Online: July 26, 2012
Review Program: Kirkus Indie
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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