Honest and artful depictions of aging and loss—plus some other stuff.
The celebrated author’s first collection of short fiction since Stone Mattress (2014).
Atwood is, of course, one of the most celebrated Anglophone writers working today. She has been nominated for the Booker Prize six times and has won it twice—for The Blind Assassin (2000) and The Testaments (2019). The Handmaid’s Tale (1985) is a groundbreaking work of science fiction that should be on anybody’s list of the best—or, at least, most important—books of the 20th century. Her new collection of short stories is a mixed bag. The first section is a series of interconnected narratives centered around married couple Tig and Nell. “First Aid” begins with Nell coming home to find a trail of blood leading from an open front door into the kitchen. It ends up being a sweetly melancholy meditation on living in a world designed to kill us. “Two Scorched Men”—Nell’s account of getting to know two World War II veterans who are friends while she’s in France—is a fine story but an odd fit with the preceding work. In “Morte de Smudgie,” Nell rewrites Tennyson’s elegy for King Arthur for her dead cat, and the less said about this, the better. The middle section of this book is a hodgepodge of pieces that feel like experiments, exercises, and false starts. It’s hard to escape the feeling that they are gathered here simply to fill enough pages to make a book of reasonable length while the Hulu series based on Atwood’s greatest work is still in production—or while the author is still semi–internet famous for creating a Twitter flap about gender. This is too bad because, when Atwood returns to Nell and Tig, she offers a powerfully affecting quartet of stories in which Nell navigates widowhood—the best of these is the eponymous story that first appeared in the New Yorker.
Honest and artful depictions of aging and loss—plus some other stuff.Pub Date: March 7, 2023
ISBN: 9780385549073
Page Count: 272
Publisher: Doubleday
Review Posted Online: Jan. 24, 2023
Kirkus Reviews Issue: Feb. 15, 2023
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.
A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).
Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.
A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.Pub Date: Oct. 28, 2025
ISBN: 9780063453913
Page Count: 224
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2025
Kirkus Reviews Issue: Aug. 15, 2025
PERSPECTIVES
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