Mabel blows a bubble that envelops her baby brother, gently wafting him all over the village, causing shock and excitement among the population. Chrysta and Greville Gribble, Tybal and his mother Sybil, the crabby Copples, feeble Mrs. Treeble and Canon Dapple come up with an improbable plan to catch the bubbled baby. Meanwhile, mischievous rebel Abel bursts the bubble with his slingshot and the villagers gallantly come to the rescue by catching him in a quilt. The action moves with breathless frenzy. Mahy is a master at creating verse that is as light and airy as the baby’s bubble. Filled with lovely Briticisms, alliterative nonsense words, double, triple and internal rhymes, it’s meant to be read aloud—“Again!”—and will lead both breathless readers and listeners to delighted giggles. The text floats across the pages in waves and arcs, and Dunbar’s joyous watercolor-and–cut-paper illustrations are wonderfully expressive, a visual treat moving apace with the text. A frothy, effervescent gift. (Picture book. 4-8)
Pub Date: April 6, 2009
ISBN: 978-0-547-07421-4
Page Count: 40
Publisher: Clarion Books
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2009
A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)
Pub Date: April 1, 1996
ISBN: 0-8037-1530-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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