From Davol (Batwings and the Curtain of Night, p. 379, etc.), an ambitious folk tale set in China. Humble Mi Fei is an artist, painting scenes of gods and heroes, and content to live in the small village where he is always ready to stop work and listen to the tales of his neighbors. One day his peaceful life is shattered when the great dragon of Lung Mountain awakens from sleep, destroying crops and ruining villages, and Mi Fei is chosen to appease it. The dragon assigns Mi Fei three seemingly impossible tasks: to bring fire wrapped in paper (he fashions a paper lantern), to bring wind wrapped in paper (he folds a fan), and to bring the strongest thing in the world—wrapped in paper. Mi Fei struggles over this last one, but paints a scene of his village and delivers the message to the dragon that love is stronger than everything. Sabuda's illustrations are endlessly inventive; the forms of clothing, dragon, plants, and trees are portrayed in painted tissue-paper collages affixed to Japanese papers; the faces of the figures are expertly painted, using economical brush strokes that express the personalities of the people Mi Fei so loves. The right-hand page of every scene is a gatefold, making each picture a triple-page horizontal spread- -sometimes Mi Fei is within the scene, sometimes he is creating it. It all comes together in a vibrant and surprising work. (Picture book. 5-8)
Pub Date: Oct. 1, 1997
ISBN: 0-689-31992-4
Page Count: 60
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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