The ballerina-in-training sparkles in her return engagement when she learns to be a good big sister and to share the spotlight.
Tallulah, of Tallulah’s Tutu (2011), is certain that she will star in her school’s winter recital of the Frog Prince and shows little patience with younger brother, Beckett, who has joined her in ballet studies. Her head swells with visions of flowers for her outstanding performance as the princess. Meanwhile, Beckett pays little attention and even spends a stint in the time-out chair. Surprise! Beckett’s jumping skills land him the role of the Frog before princedom, and Tallulah is, alas, only a lady-in-waiting. The moment of reckoning arrives when their mother asks Tallulah to help her crying and nervous little brother. That she does, commendably. The result is a wonderful performance that is instrumental in landing each of them starring roles in the spring production of Hansel and Gretel. Veteran Singer approaches both issues—ego and sibling bonding—with a sure hand. Boiger once again uses watercolors in balletic shades of lilac, blue and green to great effect and creates a welcoming studio and stage setting.
A lovely story that gently and effectively presents common childhood difficulties wrapped in a world of tutus and sparkles. (Picture book. 3-7)
