Witty and intelligent but too often pat.
In de los Santos’s second novel (Love Walked In, 2006), Cornelia Brown returns the as heroine, now married to handsome oncologist Teo and trying to make a new home in the suburbs of Philadelphia.
Having moved out of New York City after the double whammy of a miscarriage and 9/11, Cornelia finds herself a shunned outsider among the community’s perfect blond matrons. Particularly unwelcoming is her tightly wound neighbor Piper, who is as sharp-tongued as she is judgmental about fashion, flowers and childrearing. Cornelia does begin a fledgling friendship with another newcomer, Lake, a waitress who has moved from California to enroll her genius 13-year-old son Dev in a special school after his previous school punished him for being too smart. Dev suspects there might be more to the move, that Lake may be moving them closer to the mystery father he’s never met. As much as Cornelia likes Lake, she senses Lake holding back at crucial moments and responds in kind. Meanwhile, Piper turns out to be a far more complicated woman than she seems on the surface. She drops everything (but her children) to care for her best friend Elizabeth, who’s in the last stages of cancer. By the time Cornelia succeeds in becoming pregnant, she and Piper have grown surprisingly close, each opening her heart a little to the other. Days after Elizabeth dies, Piper’s husband leaves her and she finds herself an outcast for continuing her (platonic) involvement with Elizabeth’s mourning husband and children. In another development, Dev stumbles on the truth Lake has been hiding and learns the identity of his father. The father is stunned; Cornelia is devastated; and oh-so-sensitive, intelligent Dev is furious. Needless to say, a happy ending awaits Cornelia, but readers will be far more interested in Piper, a complex, genuinely intriguing character. Pages on which she appears glow; the rest merely flicker.
Witty and intelligent but too often pat.Pub Date: April 1, 2008
ISBN: 978-0-06-124027-0
Page Count: 390
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 2008
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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