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LONELINESS AND TIME

THE STORY OF BRITISH TRAVEL WRITING

An extended critique of English travel writing from the 19th century to the present day, by British biographer and journalist Cocker. ``The central, unifying principle in travel books,'' according to Cocker, ``is that abroad is always a metaphysical blank sheet on which the traveller could write or rewrite the story, as he or she would wish it to be.'' England has produced a rich array of such work, and Cocker examines some of the more (and less) famous practitioners of the genre. The great Arabists—Burton and Lawrence—have never lost the renown they won during their day, but some of the figures covered here (such as Frederick Bailey) have largely been forgotten. None lacked fame while alive, however: Cocker shows how the English imagination underwent a sea change during the Victorian period that elevated exploration and travel into a national mania and established the great explorers as national heroes. Although many have associated this phenomenon with the rise of colonialism, Cocker claims deeper roots: The stifling insularity of England, he says, forced many of its malcontents and dreamers to further and further extremes that took them farther and farther from home; meanwhile, the unalloyed classicism of upper- class education established a nostalgia for ancient empires in many of the leisure class—who alone had the means to seek out far-flung lands. The anonymity of alien territory also appealed strongly to those whose aesthetic, political, or sexual tastes forced them into double lives at home. The bitter irony, however, is that the example and work of these cultural refugees have often resulted in the destruction of their refuges through massive waves of commercial tourism that they themselves inspired. Good prose and a well-focused narrative are boxed into too small an arena here: Cocker's subject has great appeal, but he covers figures of only marginal interest to American readers. An English export, then, that can't quite manage the crossing. (Photos)

Pub Date: April 1, 1993

ISBN: 0-679-42242-0

Page Count: 288

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1993

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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