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How to Be a Superhero

All-out victory for fans, though even pop-culture newbs will enjoy the ride.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2015

This superpowered collection of more than 40 original, in-depth interviews explores the role of superheroes in pop culture—as told by the actors who played them.

In his impressive debut, Edlitz interviews actors who have played parts in shaping modern America’s quintessential mythology: the superhero universe. He delves into everything from the Adventures of Superman and Batman TV series of the 1950s and 1960s to the blockbuster movies of today. But this isn’t limited to heroes: interview subjects include noteworthy villains (such as Tom Hiddleston’s Loki), sidekicks (Jack Larson’s Jimmy Olsen), nonsuperheroes (Leonard Nimoy’s Spock), and writers and directors, including comic-book legend Stan Lee and Jon Favreau, director of Iron Man. He also interviews actors who appeared in less successful films, such as a never-released version of The Fantastic Four. Edlitz is clearly a superfan of superhero comics and films, and his lengthy introductions to each interview are packed with enough background info and trivia to please even hard-core fans. Interviews focus on how actors embodied these larger-than-life superheroes—the iconic costumes helped, as did the all-important secret identities—to become, in many cases, permanently identified with the roles. Lou Ferrigno, aka the Incredible Hulk, says, “I was that character all my life,” an idea echoed throughout the book. Edlitz’s insightful questions also explore weightier topics such as religion, mythology, race, and the nature of heroism, and in a battle against repetition, he often tailors questions to his subject. For instance, when talking with superheroines—such as Batgirl (Yvonne Craig) and Supergirl (Helen Slater)—he touches on issues of female role models and sexualized costumes. Edlitz frequently injects humor into his interviews, livening them up and always ending the conversation with a classic question: who’d win in a fight? “Your Batman or George Clooney’s?” he asks Adam West. “I think it depends on the circumstances,” West says. “It probably depends on the kind of battle. If it were to be a battle of charm, of course, Clooney would win.”

All-out victory for fans, though even pop-culture newbs will enjoy the ride.

Pub Date: June 1, 2015

ISBN: 978-1593937911

Page Count: 586

Publisher: BearManor Media

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: May 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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