The continuing, shambolic adventures of Rhode Island’s rockingest trumpet-and-ukelele–based quintet finds plenty of sweet to balance out the sour (Lemonade Mouth, 2007).
It’s summer, and although each of the band’s five members—Olivia, Charlie, Mo, Wen and Stella—have jobs, they compose and record new songs in their friend Lyle’s garage studio. Their performance at Cranston’s Chowder Fest attracts the attention of legendary agent Earl Decker, who tries to mold the group into a chart-topping indie phenom, paying for an expensive, moody photo shoot and studio time. He also secures them an audition on American Pop Sensation, where the gutsy teens stand up to the mean-spirited judges. When video of their judge-scolding incident—sure to inspire the many compulsive watchers of Simon Cowell to punch the air in solidarity—goes viral and combines with their philosophical objections to being Photoshopped in a sponsor’s ad, Lemonade Mouth fires Earl in favor of remaining true to their convictions. The band’s independent, quirky journey is conveyed through the diary entries, letters, transcribed interviews and screenplay excerpts that form the narrative—and that promise at least one more chapter in the band’s imaginary history.
Warmhearted and innocently wild, this stand-alone sequel will find appreciative fans among teen music obsessives and social activists. (Fiction. 12-15)
