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GROWING UP ABSURD IN SUBURBIA

An affectionate and often incisive appraisal of the author's thoroughly peculiar yet thoroughly representative suburban Connecticut adolescence. Novelist Salzman's previous memoir, the well-received Iron and Silk (1987), told of his experiences during a two-year stint as an English teacher in China. He begins here by narrating drolly the quintessentially American way his interest in China started: At 13 he saw a kung fu movie and suddenly developed a conviction that he would become a Zen monk. He built a shrine around some chopsticks and incense, purchased a Surprise Bald Head Wig in lieu of cutting off his hair, and soon began taking kung fu lessons, in which he persisted. Salzman recalls his conflicted allegiances to several role models: his terrifying, drunken, somehow inspiring kung fu master, Sensei O'Keefe; his fellow kung fu student Michael, whose fatherless home full of delinquent brothers was the opposite of Salzman's own orderly household; and especially his father, who managed to refrain from expressing disapproval even in the face of his son's undigested Zen babble. A high school teacher persuaded Salzman to study Chinese language and culture seriously, and he wound up learning traditional landscape painting from a waiter at the local Chinese restaurant. Salzman's gentle mockery of adolescent foibles is so dead-on that he achieves Waugh-like moments of hilarity. But in the second half both the humor and the insights trail off a little: After a particularly psychotic demonstration by Sensei O'Keefe, Salzman quit kung fu, which ended his friendship with Michael. He graduated from high school a year early, smoked a lot of pot, and played jazz cello in the basement. Then he went to Yale, had bouts of fairly ordinary existential malaise, and emerged wiser. Salzman engagingly describes teen malleability and confusion; hopefully he'll immortalize his childhood next.

Pub Date: Aug. 1, 1995

ISBN: 0-679-43945-5

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1995

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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