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DEAR MRS. LARUE

LETTERS FROM OBEDIENCE SCHOOL

An epistolary picture book detailing the misadventures of a very imaginative dog at obedience school. Ike the terrier is a reluctant student at the Igor Brotweiler Canine Academy, and sends daily letters home describing the tortures he’s undergoing at school: “Needless to say, I am being horribly mistreated. You say I should be patient and accept that I’ll be here through the term. Are you aware that the term lasts TWO MONTHS? Do you know how long that is in dog years?” In a series of inspired double-page spreads, the bright acrylic illustrations depict Ike scrivening away in the plushest possible surroundings, while he imagines (appropriately enough in black-and-white) what he describes. As Ike complains about the food, the reader sees him seated at a table covered in a white tablecloth and decorated with roses; his fevered imagination, however, conjures up a vision of a burly, tattooed cook standing over a cauldron and pointing at a sign that says “No howling, biting, scratching, growling, slobbering, or barking, and no seconds!” as Ike, prison-stripe-clad, forlornly holds up his dog dish. The concept is fun, but it’s a one-note joke that depends on a highly developed sense of irony to appreciate. Teague’s first offering as author/illustrator since One Halloween Night (1999) demonstrates a mastery of illustration without an accompanying command of textual narration; the overlong text bogs down as the reader attempts to figure out what’s really going on: does Ike really want to go back home? does he really believe what he describes? is he simply trying to make Mrs. LaRue feel guilty? The work as a whole is energetic but ultimately fails to follow through on a promising concept. (Picture book. 6-9)

Pub Date: Sept. 1, 2002

ISBN: 0-439-20663-4

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2002

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DIARY OF A SPIDER

The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)

Pub Date: Aug. 1, 2005

ISBN: 0-06-000153-4

Page Count: 40

Publisher: Joanna Cotler/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2005

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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