An astonishingly dull but comprehensively annotated collection of letters from an unexceptional period in Twain's life. Like the phone book, this is one of those hefty tomes you're terribly glad exists, even though there's little reason to go through it cover to cover. Its very thoroughness, its rounding up of every epistolary scrap, from bills, to perfunctory thank-yous, to itineraries of arrivals and departures, ensures vast stretches of tedium. But even when not quarreling over printing details with his publisher or setting up dates for speaking tours, Twain the correspondent bears little relationship to Twain the genius of 19th-century American literature. Even when he is corresponding with intimate friends or his beloved wife, Olivia (Livy), there is an unrevealing quality to almost every letter, as if he were deliberately resting his talent. Salamo and Smith (members of the Mark Twain Project at the Bancroft Library, Univ. of California) are to be commended for the incredible depth, range, and detail of their work. Their scholarship is impeccable, their erudition extensive—one has the feeling that they could probably account for almost every hour of Twain's life—and learned footnotes abound, often dwarfing the brief letters. During this time span, Twain embarked on building a house, suffered the death of a child, and made regular visits to England, sometimes to lecture, sometimes to bask in the warm admiration of the British. He also published his only cowritten book (The Gilded Age, with Charles Dudley Warner). But Huckleberry Finn and the full flowering of Twain's talent are still several years away. A major scholarly resource, but slow-going and unrewarding, proof of how compartmentalized genius can sometimes be. (80 b&w illustrations, not seen)
Pub Date: June 1, 1997
ISBN: 0-520-20822-6
Page Count: 928
Publisher: Univ. of California
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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