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THE OFFICE OF DESIRE

A provocative, intensely moving novel of ideas and opposing philosophies presented by deeply flawed, deeply human characters.

A bracingly dark comedy from physician Moody (Best Friends, 2001) about the unraveling of an Ohio medical office that seems a haven for its employees until sex and religion infect the practice.

Hap Markowitz, the brains, and William Strub, the personality, carry on a successful internal medicine partnership supported by a small staff of three. Caroline the receptionist, who narrates the story along with Hap, doesn’t let her prosthetic leg keep her from a string of lusty lovers drawn to her sunny warmth. Alice the nurse is younger than Caroline, an ambitious single mother who dotes over her brilliant teenage son. Brice the money manager lives with his overbearing mother. The three familiar if dissimilar workplace “types” have built a three-way friendship that keeps the office running smoothly and happily until William, recently divorced, finds himself drawn to Alice. Their ensuing affair and marriage disrupt the office balance. Alice stops hanging out with Caroline and Brice. Caroline and Brice’s friendship is ruined after she sleeps with him out of misguided sympathy, although she knows he is not attracted to women. As marital bliss with Alice sours, William turns to internet pornography, then becomes a Christian zealot. At first, Alice resists but soon she is at least as fervent as William. Preoccupied by his wife’s sudden, fast spreading cancer and subsequent death, Hap is too distracted to resist when William and Alice start selling Christian vitamins in the front office. And only Caroline notices when Brice becomes dangerously obsessed with Alice’s son Jesse, who bravely acknowledges that he is gay to his newly fundamentalist parents. Long before the inevitable malpractice case connected to the vitamins, what began as light satire has turned into genuine tragedy. Even as her characters make disastrous mistakes, Moody, a genuinely original voice, takes an unsentimental approach that never denies life’s possibilities.

A provocative, intensely moving novel of ideas and opposing philosophies presented by deeply flawed, deeply human characters.

Pub Date: Aug. 2, 2007

ISBN: 978-1-59448-949-5

Page Count: 304

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2007

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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