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KOBA THE DREAD

LAUGHTER AND THE TWENTY MILLION

Meritorious addition to the bulging shelf of apologia by writers on the noncommunist English left, worth reading by anyone...

The accomplished English novelist follows his first memoir (Experience, 2000) with a post-millennial backward glance at the evil 20th century and its “chief lacuna.”

A child of the 1960s, now himself a half-century old, Amis treats several large and related themes. He reviews the basic facts of the terrible Soviet experiment, which he knows chiefly through having read “several yards of books” about it. Then he turns to the early devotion of his father’s generation to that experiment and their subsequent rejection of it; Kingsley Amis wrote an essay called “Why Lucky Jim Turned Right” in 1967, and his friend Robert Conquest published a history of Soviet terror. Martin’s generation embraced all things leftist during the revolutionary years of the Vietnam War and Paris Rouge, a rhetorically excessive time when “policemen and even parking wardens were called fascists.” Some of these themes have, of course, occupied English intellectuals from Orwell’s time on, but Amis brings to them a fresh look helped in its particulars by shocking revelations from now-open Soviet archives. Among the more controversial theses is his well-reasoned suggestion that Soviet Communism was, in the end, worse than Nazism: “Stalin, unlike Hitler, did his worst. . . . Bolshevism was exportable, and produced near-identical results everywhere. Nazism could not be duplicated.” Readers of The Black Book of Communism will find this argument unobjectionable, but it will certainly earn Amis a hiding in the leftist press. Particularly compelling is Martin’s closing letter to Kingsley, now dead, wondering how either father or son could have been taken in by the romantic lie of a worker’s paradise. The author is no David Horowitz, however; he hasn’t gone Tory in middle age, even if he takes well-deserved swipes at Christopher Hitchens and other fellow travelers while confessing his own sins.

Meritorious addition to the bulging shelf of apologia by writers on the noncommunist English left, worth reading by anyone interested in exploring the dark recesses of the recent past.

Pub Date: July 1, 2002

ISBN: 0-7868-6876-7

Page Count: 304

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Kirkus Reviews'
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  • IndieBound Bestseller


  • Pulitzer Prize Finalist


  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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