This advancement of patriarchy is way past its sell-by date.
Anthropomorphic animals hold a presidential vote in this story originally published in France in 2012.
In a land inhabited by big-eyed, anthropomorphic animals, the male lion is always elected president. Every five years he asks, “Who’s voting for me?” and all the animals give him their votes, after which they “have as much cake and strawberry-coconut juice as they [want].” But when a mouse challenges this practice and says there should be more than one candidate, the other animals get on their candidate soapboxes—and some clever political satire follows. After the secret vote is held, each candidate, one per animal group, has received one vote except for the lion, who didn’t vote. (The system represented seems to be quasi-parliamentary—only each group’s representative has a vote—making this a poor primer for U.S. electoral politics.) Chaos ensues as each new president engages in partisan self-interest. Disenchanted, the mouse seeks out the lion to help—which the lion agrees to do by becoming president again. This theme of patriarchy is reinforced by subtle misogynistic messages: The female ostrich is depicted as silly, the female carp as unintelligible, and the lioness as merely a helpmate to the lion. There’s also a not-so-subtle message about initiative: Don’t bother, the story seems to say, since only the lion is wise enough to preside over a diverse population. The colorful, well-rendered illustrations are lively and often amusing in their clever depictions of animals’ expressions and actions.
This advancement of patriarchy is way past its sell-by date. (Picture book. 5-8)Pub Date: April 28, 2020
ISBN: 978-0-8028-5543-5
Page Count: 40
Publisher: Eerdmans
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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