Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
Next book

OUT OF SILENCE

REPAIR ACROSS GENERATIONS

An important examination of what it means to discover one’s self and to reclaim one’s sense of belonging.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

A philosophically charged memoir of a man connecting with a Jewish heritage that he only discovered later in life.

Matustik (Philosophy and Religious Studies/Arizona State Univ.; Radical Evil and the Scarcity of Hope, 2008, etc.) was born in what is now Slovakia in 1957 and orphaned at the age of 14. Later, he signed a document called Charta 77 in defiance of communist authoritarianism, fled Czechoslovakia, and ultimately landed in the United States as a respected academic. Still, none of this fully prepared him for news he received in 1997 that completely upturned his sense of identity. While living in Chicago, he received two letters from Australian relatives revealing his Jewish origins—a major piece of family genealogy that his mother had determined to keep from him. He’d never discussed the horrors of the Holocaust while growing up and never knew that his mother’s family was ravaged by Nazi violence. Fifteen years later, after digging more deeply into his untold history, he discovered the reasons behind his mother’s deliberate silence. Because he was deprived of a full sense of his past, this memoir is an unusual exercise in “postmemory” as he attempts to excavate a personal history he never experienced. A well-known professor of philosophy and the author of six academic books, Matustik places his personal quest in the context of world history, dissecting the plight of the Jews and the global conflict against tyranny that animated the 20th century. His ruminations are often deeply scholarly and literary, spanning an impressive breadth of topics from Plato to Pink Floyd. It all results in a protean work that resists easy categorization—a complex amalgam of the personal and historical that he calls his “philosophical-political quest.” The prose can be soaringly poetic but also dense. However, his attempt to rescue himself from “generational blindness” is both intellectually stirring and emotionally poignant. “Shame is the survivor’s unacknowledged trauma,” he writes. “My mother’s trauma has settled me with her generation’s guilt and my own survivor’s guilt. I have been suffering from her disrepair, even as I survive her traumatized silence.”

An important examination of what it means to discover one’s self and to reclaim one’s sense of belonging.

Pub Date: Jan. 28, 2015

ISBN: 978-0988373211

Page Count: 348

Publisher: NEW CRITICAL THEORY

Review Posted Online: March 27, 2015

Kirkus Reviews Issue: May 15, 2015

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview