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Ladies in Low Places

Tales told with a fresh, sensitive voice and likely to appeal to readers who appreciate Southern culture in all its myriad...

An often charming collection of short stories that proves there’s more to Southern ladies than Scarlett O’Hara stereotypes.  

In her debut, Henry serves up a healthy dose of Southern humor and style, with 18 lively stories that cleverly turn conventional ideas about Southern womanhood on their heads. Here are heroines who aren’t always graceful, polite, and hyperfeminine, nor are they always full of quick-witted sass. Instead, they’re flawed and often misunderstood but still hopeful. In one story, an awkward high school girl embarks on an odd, mostly one-sided flirtation with her school’s star basketball player; in another, a young woman loses an eye in a hunting accident. The low-country setting of coastal South Carolina and Georgia is integral to each of these stories, which often explore the tension between tradition-bound Southern natives and the region’s newcomers. Still, Henry’s characters face dilemmas that are universal. “Hell Hole Swamp Queen” is a standout: a tale of a disaffected college student who’s roped into participating in a quirky beauty pageant by her domineering grandmother. It’s a subtle look at how small events affect people’s lives in the most unexpected ways. “Leap for Joy” delves into an unusual friendship between a pair of middle-aged schoolteachers. However, a few of the stories, while still intriguing, are too slight. In “Flown Away,” for example, a woman’s husband moves into a treehouse in their backyard for reasons that are never entirely clear, either to his wife or readers. The book’s opener, “The Seduction of Miss Sestina,” is built around an intriguing premise: a single lady of certain age marries a mysterious out-of-towner after a whirlwind courtship, only to discover that (surprise!) he has a secret. But the husband remains more of an idea than a true character, and it’s hard to believe that Sestina, a conservative spinster, would be swept off her feet in such a way—or that her friends wouldn’t put the brakes on the obviously ill-advised union.

Tales told with a fresh, sensitive voice and likely to appeal to readers who appreciate Southern culture in all its myriad forms.  

Pub Date: June 14, 2014

ISBN: 978-0-9913580-0-7

Page Count: -

Publisher: South Light

Review Posted Online: July 10, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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