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AIMEE

In a journal being written for therapy, an unnamed narrator tells of being accused of the murder of her best friend. Quite realistically the girl jumps between past and present as her thoughts travel over these momentous events. Separated from her tightknit group of friends both at the order of the court and because her parents have moved to a new town for her sake, this girl is isolated, bereft, and damaged. The mystery is what really happened and whether this JK—“Jack Kevorkian”—could have saved her friend, aided and abetted in her death, or worse. Consequences for herself, her family, and friends include a severe anorexia, which leads to a hospital stay, parents separating, and the knowledge that Aimee’s death was a result of unbearable pain. Avoiding flamboyance and trendy dialogue, first-time novelist Miller simply tells the story using her narrator’s voice, which is compelling. Often, in such stories the secret seems less than the buildup, but this time it is not. Aimee found herself beyond help and no longer able to bear her life despite being in a supportive, albeit imperfect, group of friends who shared alcohol, flawed parents, and sometimes sex. For the narrator, being accused of killing Aimee is only a small part of anguish. A keen observer, slightly self-absorbed, she is convincing; the revelations of the past drift into her recounting of the present, offering clues as though this were a gripping thriller. The complexities of her relationship with her super-perfectionist lawyer mother and disengaged father are aptly portrayed without demonizing or excusing any of them. A late revealing of the name of the narrator is symbolic of the healing that is beginning and indicates that all has finally been told. A fascinating character study that will intrigue readers wanting to go beyond sensationalistic headlines. (Fiction. YA)

Pub Date: May 1, 2001

ISBN: 0-525-46894-3

Page Count: 308

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2002

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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