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THE RECKONING

OUR NATION’S TRAUMA AND FINDING A WAY TO HEAL

Of value to those pondering what happened for the past five years and whether we can truly heal.

The former president’s niece gets in a few more licks.

There is no love lost between Trump and her uncle: “But for him, we would not have become so divided. But for him, a simple lifesaving maneuver like wearing a mask would not have become politicized. But for him, we would not have suffered a mass casualty event in this country every day, for month after month after month.” She reckons that under her uncle’s watch, the nation was forced to endure so catastrophic a trauma that, in essence, we’re all suffering from PTSD. That trauma is an old one, she writes, and here the narrative descends from political and psychological analysis to the recitation of a history that is well known: Our trauma and many of our divisions emerge from the original sin of slavery and the failure of Reconstruction. Because we have not come to terms with that sin, and because racism is resurgent, we have no chance to remedy it. Trump’s approach is a touch scattershot. She has a particular bone to pick with Robert E. Lee, whom she calls “a vile human being,” and even lays a few tut-tuts on Barack Obama for “failing to hold prior crimes to account,” from Abu Ghraib to the fast-and-loose financial shenanigans that led to the Great Recession. She’s at her best, and on the firmest of ground, when she lays into her uncle’s manifest shortcomings: “When your motive is not simply winning at all costs but grievance and revenge, you’re more dangerous than a straight-up sociopath. Donald is much worse than that—he’s someone with a gaping wound where his soul should be.” What’s more, she insists, with good reason, the Republican Party has followed his lead as “an instinctive fascist” to become an enemy of American democracy, yet another source of our mass trauma—our rescue from which will come only with our “facing the truth and feeling the pain.”

Of value to those pondering what happened for the past five years and whether we can truly heal.

Pub Date: Aug. 17, 2021

ISBN: 978-1-250-27845-6

Page Count: 208

Publisher: St. Martin's

Review Posted Online: Sept. 3, 2021

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WAR

An engrossing and ominous chronicle, told by a master of the form.

Documenting perilous times.

In his most recent behind-the-scenes account of political power and how it is wielded, Woodward synthesizes several narrative strands, from the Jan. 6, 2021, insurrection and Hamas’ Oct. 7, 2023, attack on Israel to the 2024 presidential campaign. Woodward’s clear, gripping storytelling benefits from his legendary access to prominent figures and a structure of propulsive chapters. The run-up to Russia’s invasion of Ukraine is tense (if occasionally repetitive), as a cast of geopolitical insiders try to divine Vladimir Putin’s intent: “Doubt among allies, the public and among Ukrainians meant valuable time and space for Putin to maneuver.” Against this backdrop, U.S. Sen. Lindsey Graham implores Donald Trump to run again, notwithstanding the former president’s denial of his 2020 defeat. This provides unwelcome distraction for President Biden, portrayed as a thoughtful, compassionate lifetime politico who could not outrace time, as demonstrated in the June 2024 debate. Throughout, Trump’s prevarications and his supporters’ cynicism provide an unsettling counterpoint to warnings provided by everyone from former Joint Chief of Staff Mark Milley to Vice President Kamala Harris, who calls a second Trump term a likely “death knell for American democracy.” The author’s ambitious scope shows him at the top of his capabilities. He concludes with these unsettling words: “Based on my reporting, Trump’s language and conduct has at times presented risks to national security—both during his presidency and afterward.”

An engrossing and ominous chronicle, told by a master of the form.

Pub Date: Oct. 15, 2024

ISBN: 9781668052273

Page Count: 448

Publisher: Simon & Schuster

Review Posted Online: Oct. 15, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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  • New York Times Bestseller

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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