Stolz (Coco Grimes, 1994, etc.) fleshes out—barely—a sentimental Civil War ballad about brothers who share a hobby horse, and years later, another steed in the aftermath of battle. Tom Rigby's excitement as he awakens on his ninth birthday changes to outrage when he learns that the slave Aaron, a companion to him and his twin for most of their lives, has been summarily ``sent to the quarter'' by their father to be a field hand. Although he listens reluctantly to the warnings of the household slaves (who maintain that making a fuss will only endanger Aaron), Tom defiantly gives his birthday toys away to the slave children. He has an argument with twin Jack, who echoes their father's advocacy of slavery, although the rift isn't wide enough to prevent him from sharing his hobby horse when Jack's breaks. Twelve years later, Tom—a Union officer—recalls that time as he offers a ride to a wounded Confederate soldier who only looks too familiar. Stolz focuses more on her characters' emotional states than on plot or background detail, and readers who are less familiar with the era will wonder why Aaron was sent away, and why the slave children have to hide their new toys from the overseer. Paul Fleischman's Bull Run or Gary Paulsen's Nightjohn (both, 1993) afford more insight into the realities of slavery and of what Stolz calls ``this brothers' war.'' (b&w illustrations, not seen) (Fiction. 9-11)
Pub Date: Nov. 30, 1997
ISBN: 0-06-027362-3
Page Count: 54
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1997
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that...
Antics both instructive and embarrassing ensue after a mysterious package left on their doorstep brings a Founding Father into the lives of two modern children.
Summoned somehow by what looks for all the world like an old-time crystal radio set, Ben Franklin turns out to be an amiable sort. He is immediately taken in hand by 7-year-old Olive for a tour of modern wonders—early versions of which many, from electrical appliances in the kitchen to the Illinois town’s public library and fire department, he justly lays claim to inventing. Meanwhile big brother Nolan, 10, tags along, frantic to return him to his own era before either their divorced mom or snoopy classmate Tommy Tuttle sees him. Fleming, author of Ben Franklin’s Almanac (2003) (and also, not uncoincidentally considering the final scene of this outing, Our Eleanor, 2005), mixes history with humor as the great man dispenses aphorisms and reminiscences through diverse misadventures, all of which end well, before vanishing at last. Following a closing, sequel-cueing kicker (see above) she then separates facts from fancies in closing notes, with print and online leads to more of the former. To go with spot illustrations of the evidently all-white cast throughout the narrative, Fearing incorporates change-of-pace sets of sequential panels for Franklin’s biographical and scientific anecdotes. Final illustrations not seen.
It’s not the first time old Ben has paid our times a call, but it’s funny and free-spirited, with an informational load that adds flavor without weight. (Graphic/fantasy hybrid. 9-11)Pub Date: Sept. 26, 2017
ISBN: 978-1-101-93406-7
Page Count: 240
Publisher: Schwartz & Wade/Random
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
PLB 0-531-33140-7 Ketcham’s first book is based on an allegedly true story of a childhood incident in the life of Johann Sebastian Bach. It starts with a couple of pages regaling the Bach home and all the Johanns in the family, who made their fame through music. After his father’s death, Johann Sebastian goes to live with his brother, Johann Christoph, where he boasts that he is the best organist in the world. Johann Christoph contradicts him: “Old Adam Reincken is the best.” So Johann Sebastian sets out to hear the master himself. In fact, he is humbled to tears, but there is hope that he will be the world’s best organist one day. Johann Sebastian emerges as little more than a brat, Reincken as more of a suggestion than a character. Bush’s illustrations are most transporting when offering details of the landscape, but his protagonist is too impish to give the story much authority. (Picture book. 5-9)
Pub Date: March 1, 1999
ISBN: 0-531-30140-0
Page Count: 32
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
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