Based on the real Odette Meyers (nee Melspajz), this thoughtful, affecting piece makes an ideal Holocaust introduction for...
Introspective and accessible, this fictionalized history of a Jewish child surviving the Nazi occupation of France uses an elegant simplicity of language.
Odette, quite young, lives comfortably in a Paris apartment “on a cobblestone square / with a splashing fountain.” Watching a newsreel, she sees “soldiers march, / their legs and arms straight as sticks. / A funny-looking man with a mustache / shouts a speech.” The next day, she sees a Jewish-owned store with smashed windows. Mama and Papa are secular, but “[w]e are Polish Jews because / Mama’s and Papa’s parents and grandparents / in faraway Poland / are all Jews.” Papa joins the French army and is taken prisoner; yellow stars are assigned; Mama sends Odette out of Paris. For 2 1/2 years, Odette practices Catholicism in one village and then another, growing attached to religious ritual and the countryside. Macdonald’s free verse uses unadorned images: a blanket from Odette’s devoted (Christian) godmother; schoolchildren pounding out “La Marseillaise” on desks with their fists to drown out rowdy German soldiers; those same children rolling Odette in a thorn bush when they suspect her secret. Odette’s first-person voice matures subtly as she grows in age and in comprehension of the war’s horrors.
Based on the real Odette Meyers (nee Melspajz), this thoughtful, affecting piece makes an ideal Holocaust introduction for readers unready for death-camp scenes. (timeline, historical photographs, author’s note) (Historical verse fiction. 9-15)Pub Date: March 1, 2013
ISBN: 978-1-59990-750-5
Page Count: 224
Publisher: Bloomsbury
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stronger books may exist about the 1960s, but female friendship tales never go out of style.
For “bad girls,” hell can be a place on Earth.
In Houston in the early ’60s, girls only seem to have two choices: be a good girl and get married or be a bad girl and live your life. Fifteen-year-old Evie, from a working-class White family, became a bad girl after her sister’s shotgun wedding took her away from home. Mexican American neighbor Juanita, who smokes, drinks, wears intense eye makeup, and runs with the tough crowd, takes Evie under her wing, but despite the loyalty of this new sisterhood, Evie often feels uncertain of her place. When a rich girl from the wealthy part of town named Diane saves Evie from assault by killing the attacker, Evie finds a new friend and, through that friendship, discovers her own courage. This work borrows a few recognizable beats from S.E. Hinton’s 1967 classic, The Outsiders—class tensions, friendship, death, and a first-person narrative that frequently employs the word tuff—but with a gender-swapped spin. Overall, the novel would have benefited from a stronger evocation of the setting. During an era of societal upheaval, Evie struggles to reconcile her frustration at the limited roles defined for her and her friends, with many moments of understanding and reflection that will resonate with modern readers’ sensibilities—although sadly she still victim blames herself for the attempted assault.
Stronger books may exist about the 1960s, but female friendship tales never go out of style. (author's note, resources) (Historical fiction. 12-15)Pub Date: Oct. 19, 2021
ISBN: 978-1-250-23258-8
Page Count: 304
Publisher: Roaring Brook Press
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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BOOK REVIEW
BOOK REVIEW
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