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WHO SLASHED CELANIRE’S THROAT?

Lush and lurid, as are its sultry settings: an intricate brocade conceals its blemishes, seducing the reader with silken...

Human sacrifice, never a good thing, wreaks spectacular havoc in the author’s latest Caribbean gothic.

In the 1880s, an infant is found on Guadeloupe with its throat slit, not an isolated phenomenon on this isle where the demons cultivated for personal and political gain prefer babies as sacrificial victims. Kindly but debauched Dr. Jean Pinceau (aping his hero, Dr. Frankenstein) reattaches Celanire’s head and adopts her. After goading her adoptive mother fatally into the jaws of a mysterious black dog, Celanire attempts to seduce Pinceau, who is wrongfully convicted of child rape and exiled to the penal colony of French Guiana. And that’s just her first ten years. Entrusted to nuns, Celanire is educated in France and travels as a missionary to colonial Ivory Coast. A beauty whose swan neck is never without scarf, necklace, or ribbon, Celanire captivates both sexes as she sets about revamping a home for illegitimate children, turning it into an elite academy by day, salon/bordello by night. Anyone who resists her charisma, like the hapless homosexual Hakim, is doomed, as is anyone she finds inconvenient. On the surface, Celanire is an envoy of civilization who cultivates elaborate gardens and rails against female circumcision and oppression of women. Wrested back from sacrifice, she’s the double-agent of the unpropitiated demon-gods. Her acts serve twin mandates: to avenge herself on everyone connected to the sacrifice, and to discover her true parentage. The action spans four tropical climes: Africa, Guiana, Guadeloupe (where the former foundling returns in grim triumph as the governor’s wife), and Peru, where an exorcism of sorts occurs. The body count mounts as do Celanire’s shape-shifting forms—large mastiffs, a stallion, a raptor bird, and—a waitress? Condé (Tales From the Heart, 2001,etc) sets herself a fearsome challenge: an implacable trickster can hardly engage our sympathy, despite her cultivated veneer.

Lush and lurid, as are its sultry settings: an intricate brocade conceals its blemishes, seducing the reader with silken irony.

Pub Date: Aug. 18, 2004

ISBN: 0-7434-8260-3

Page Count: 224

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2004

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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