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PALIMPSEST

Name: PALIMPSEST
Author: Matthew Battles
ISBN: 978-0-393-05885-7

A HISTORY OF THE WRITTEN WORD

by Matthew Battles ‧ RELEASE DATE: July 21, 2015

A fascinating exploration stylishly and gracefully told.

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An illuminating look at the origins and impact of writing.

In this richly detailed cultural history, Battles (The Sovereignties of Invention, 2012, etc.), associate director of the research group metaLAB at Harvard, traces the evolution of writing from cuneiform in the fourth millennium B.C. to digital communications. Emerging as an accounting system in Mesopotamia, writing became evidence of power as well as a means of personal expression. It also changed the human mind; writing “exploits (and transforms) circuits in our brains….Writing teaches our brains to do all kinds of somersaults and tricks.” Besides communicating immediate needs, writing allows for the transmission of cultural knowledge, bears witness to the past, and influences the future. All writing, Battles has discovered, is composed of “lines that cross, connect, and loop, and they arrange themselves into linear sets,” whether it takes the form of Chinese characters, Egyptian hieroglyphics, or Greek, Sanskrit, or Cyrillic alphabets. Battles underscores the way writing shapes reading and thinking: “in the form of word and sentence, chapter and verse,” he asserts, “writing teaches.” The author highlights several texts as especially significant, including the saga Gilgamesh, unearthed from clay tablets, which imparted lessons about kingship and heroism that influenced later literature; and the Bible, which “hides its own writing from us in a haze of myths and mystical formulae.” Before the printing press, hand copying made all books—including the Bible—vulnerable to changes: “Each instance of book production was a reading, and an editing.” Movable type changed the production and availability of books, but early printed volumes allowed for ample margins so that illuminators could ply their craft. Battles deftly excavates layers of human history from a wide range of sources to reveal that writing “is always palimpsestic; there is no setting-down that is not a setting-among, a setting-upon.”

A fascinating exploration stylishly and gracefully told.

Pub Date: July 21, 2015

ISBN: 978-0-393-05885-7

Page Count: 256

Publisher: Norton

Review Posted Online: April 11, 2015

Kirkus Reviews Issue: May 1, 2015

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.