A radiant celebration of all things summer.
Two children cut loose on the Fourth of July.
As the book opens, the brown-skinned, dark-haired youngsters explain that “in the summer, the sun rises between buildings on our block to greet us at breakfast and it beats warmer and brighter when we venture out across steamy city sidewalks.” At noon, relief arrives as the children gleefully run through the water sprayed by a fire hydrant. On their way to a local bodega, they wind their way through a park before devouring ruby-red pieces of watermelon. Words dance across the page (“Shooka-shooka shooka-shooka”) as the kids move to the sounds of salsa music. Back at home, Grandma cooks dinner for the children, and as night falls, the youngsters scale a “rickety ladder” to the rooftop, where they wait until…“POP!” Fireworks rain down in a literal explosion of colors and words cascading over silhouetted images of the kids. Burgess’ succinct, sensory-rich, onomatopoeia-laden text beats with an infectious rhythm, while Chien’s impressionistic mixed-media artwork sets the mood beautifully on each spread, from a hazy scene where people seem to fade into the background amid the heat to the dazzling depictions of fireworks, followed by a cozy montage of Grandma getting the kids ready for bed. Landmarks indicate that the tale is set in New York City; this is an immersive tribute to the unique pleasures of an urban Fourth of July.
A radiant celebration of all things summer. (Picture book. 4-7)Pub Date: May 13, 2025
ISBN: 9780063216723
Page Count: 44
Publisher: Clarion/HarperCollins
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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