by Matthew Parker ‧ RELEASE DATE: March 11, 2015
A well-written look at Fleming’s life, though the book is even better as an indictment of the anachronistic colonialism of...
Parker (The Sugar Barons: Family, Corruption, Empire, and War in the West Indies, 2011, etc.) considers Ian Fleming’s escape to Jamaica, where he created James Bond and did his best to avoid the high-society life that followed him there.
Fleming was not fond of many non-Brits, but he especially disliked Americans. About the only American Bond character who isn’t a villain is Felix Leiter, a detective Bond cooperates with and often saves. Fleming discovered Jamaica’s wonders in 1943 and quickly bought property with a private beach where he could write, using Jamaica in three of his novels. The house he built, Goldeneye, was spare and featured minimal modern conveniences. However, nature was at her best, and Fleming was happiest during the two months each year he spent in the Caribbean. It was Fleming's paradise; he loved the tropical blooms and the fascinating sea life. At the time, Jamaica was still ruled by a governor, and the racist attitudes of visitors reflected the attitude of empire. Eventually, Noël Coward became a neighbor and lifelong friend as the Jamaican tourist boom took off. Coward brought the jet-set crowd to discover the joys of island life, and anyone who was anyone showed up. Fleming, however, was asocial, heartily disliked the procession of guests and hated his wife’s parties. He isolated himself to write, forbidding guests to even walk by his window. The author parallels Fleming’s life with postwar events that planted the seed for the Bond character. He summarizes each of the Bond books as they reflect Cold War history—e.g., the Suez Crisis, the independence movements and increasing economic turmoil.
A well-written look at Fleming’s life, though the book is even better as an indictment of the anachronistic colonialism of the 1950s and the end of the British Empire.Pub Date: March 11, 2015
ISBN: 978-1-60598-686-9
Page Count: 400
Publisher: Pegasus
Review Posted Online: Nov. 28, 2014
Kirkus Reviews Issue: Dec. 15, 2014
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PROFILES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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