by Maureen Dowd ‧ RELEASE DATE: Nov. 8, 2005
Her heart’s in the right place, but she really should get out more.
After sticking it to the administration in Bushworld (2004), New York Times Pulitzer-winner Dowd takes on the battle of the sexes.
Like most columnists, the author is easier to take in small daily doses. Full-length exposure to the rarified world she moves in prompts the uneasy feeling that Dowd doesn’t know much about ordinary folks. Joking that nowadays women check out their prospective partners on the Internet, she seems not to realize that most people are unlikely to find mentions of their blind date on Google. “Whence the Wince?” and “How Green Is My Valley of the Dolls,” which extensively anatomize the cult of bodily perfection and chemical-induced placidity, will certainly be of interest to those whose peers can afford plastic surgery, frequent Botox injections and abundant prescriptions of Paxil, perhaps not so much to women holding down jobs and raising their kids without the benefit of full-time nannies or CEO husbands. Dowd’s habit of quoting friends and colleagues—who all seem to be media executives, political operatives or other Times writers—reinforces the perception of her blinkered perspective. Granted, she delivers her basic message strongly: “Feminism lasted for a nanosecond, but the backlash has lasted forty years.” And she’s often very funny to a serious purpose, as in her skewering of “Saturday Morning Bill” Clinton who “would mess around with women with big-cut hair and low-cut dresses,” while “Sunday Morning Bill would run and hide behind the sedate skirts of the high-toned feminists he surrounded himself with.” (Her most stinging passages skewer the hypocrisy of feminists who decried the smear tactics used against Anita Hill, then used the same tactics against Monica Lewinsky.) Still, a staunch liberal and feminist like Dowd, who proudly declares that she comes “from a family of Irish maids,” could profitably spend more time writing about the impact of the antifeminist backlash on people who are still cleaning houses.
Her heart’s in the right place, but she really should get out more.Pub Date: Nov. 8, 2005
ISBN: 0-399-15332-2
Page Count: 352
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2005
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by Maureen Dowd
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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