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WARRIORS

PORTRAITS FROM THE BATTLEFIELD

Warriors are like the rest of us, Hastings observes—which makes the accomplishments of the great ones all the more unusual....

An old-fashioned book about battles past, before the technocrats came along to ruin the notion of courage under fire.

Indeed, writes British military journalist and historian Hastings, “this study will be of no interest to such modern warlords as U.S. Defense Secretary Donald Rumsfeld, because it addresses aspects of conflict they do not comprehend, creatures of flesh and blood rather than systems of steel and electronics.” What characterizes the flesh-and-blood creatures whom Hastings studies is a particular kind of gumption in the face of mortal danger. To some, such as the impossibly accomplished Napoleonic soldier Jean-Baptiste-Antoine-Marcellin de Marbot, courage seems second nature; he was apt to jump into freezing lakes to rescue wounded enemies, incur multiple wounds and save his beloved emperor, all in a day’s work. To others, initiative under fire was as much an intellectual, learned process as a reflexive, physical one; Hastings offers an affecting portrait of Joshua Chamberlain, the Maine rhetorician who became one of the Union’s most outstanding officers during the Civil War. To still others, courage was a nearly unwilling and certainly unexpected response; none of his fellow officers could have guessed that John Chard, the hero of Rorke’s Drift, would have organized so brilliant and successful a defense. And to still others, bravery in grave danger seems almost a path to escape from an unhappy life under ordinary circumstances; its revisionism will perhaps displease diehard fans, but Hastings’s portrait of the woeful Audie Murphy, “widely perceived as a soldier fighting a war of his own,” is sensitive and revealing, and it explains much about the ways in which heroes allow logic and instinct to be overridden by something much more elemental—and dangerous.

Warriors are like the rest of us, Hastings observes—which makes the accomplishments of the great ones all the more unusual. Of interest to students of tactics and military history—and perhaps of psychology as well.

Pub Date: Jan. 9, 2006

ISBN: 1-4000-4441-3

Page Count: 400

Publisher: Knopf

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 2005

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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