A fun, inventive superhero tale with a brave teenage girl at its heart.
This second book in the teen paranormal Legacy of Sadie Mae Stevens series introduces a new and dangerous foe for the crimson-tressed title character.
In the first installment (The Gordite Witch, 2012), Sadie Mae, a South Carolina teen with “pecan-brown skin and fiery red hair that for the life of her will not dye,” discovered her mother’s death when she was a child was actually the result of an interdimensional fight with a zombie sorceress known as the Gordite Witch. Christine Stevens wasn’t human but a Daughter of the Seas from the underwater planet Dylan. Like her mother, Sadie Mae possesses supercharged blood that allows her to produce toxic vapor from her hands and eyes that will crystallize into chains to bind the enemies of the Dylanians—the Tetradyne Rulers and their servants, the Pigwallers—and protect humans as well. She also has access to a magical forest all her own, where she’s mentored by a violet-eyed mountain named Lendra and trained by a human/frog hybrid called Norris. After avenging her mother’s death, Sadie Mae ignores a summons from Lendra about the imminent threat of Torene the Tornado in favor of hanging out with her part-Dylanian friends Jalind, Printa, and Harrah and foster parents Suzanna and Dr. Heathcliff Brimm. When Torene appears in Sadie Mae’s forest and kidnaps Norris, the heroine realizes she’s neglected her duties and put her family and friends in danger. As if that’s not enough, there’s a cute new boy named Lander Vandersal in school, and he won’t stop staring at Sadie. Miller (Promises Unbroken, 2015, etc.) delivers sentences that are often lacking in rhythm—“At best she hoped his hype would not end up turning into a weak distraction.” But the author’s imagination remains rich, with the denizens of Sadie Mae’s mystical forest far from the fantasy clichés of elves and dragons (they include graceful “baby dinosaur-sized” green creatures that look like turtles and turn out to be Siamese twins). Sadie Mae is a relatable protagonist who messes up mightily and must deal with the consequences of her actions. Ultimately, she’ll have to make an ethical decision that will challenge everything she’s learned.
A fun, inventive superhero tale with a brave teenage girl at its heart.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: June 13, 2016
Review Program: Kirkus Indie
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
PERSPECTIVES
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