by Maya Ajmera ; Elise Hofer Derstine ; Cynthia Pon ‧ RELEASE DATE: Feb. 25, 2014
A medley perfectly tuned.
“We love music!”
In the tradition of previous photo essays such as Faith (2009), Our Grandparents (2010) and What We Wear (2012), Ajmera and her co-authors have here assembled a collection of charming photographs showing children enjoying music in 35 countries around the world. Some play instruments, like the Venezuelan girl practicing her violin on the title page. Others clap, dance, sing along and listen. On the Cook Islands, a girl with a flower crown blows a conch shell for a festival. In Scotland, a very young bagpiper marches at the Highland Games. Novice Buddhists blow long horns in a temple in Bhutan, and young Indonesians play together in a gamelan orchestra. Some are proud performers, others rapt in concentration; their enjoyment is evident. The selection of images is wide-ranging, and the underlying message, inclusive. On each spread, well-chosen and crisply reproduced photographs that vary in size are set against solid, colored backgrounds with a single sentence of text and identifying captions. The variety of musical instruments, traditional and improvised, will gladden the hearts of teachers and those who want to encourage their children’s appreciation for music. The backmatter includes a map, glossary and suggestions for readers’ own music-making.
A medley perfectly tuned. (Informational picture book. 4-8)Pub Date: Feb. 25, 2014
ISBN: 978-1-57091-936-7
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 23, 2013
Kirkus Reviews Issue: Jan. 15, 2014
Share your opinion of this book
More by Maya Ajmera
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Share your opinion of this book
More by Randall de Sève
BOOK REVIEW
by Randall de Sève ; illustrated by Carson Ellis
BOOK REVIEW
by Mac Barnett ; illustrated by Carson Ellis
BOOK REVIEW
by Carson Ellis ; illustrated by Carson Ellis
by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
Share your opinion of this book
More by Amy Krouse Rosenthal
BOOK REVIEW
by Amy Krouse Rosenthal & Christy Webster ; illustrated by Brigette Barrager & Chiara Fiorentino
BOOK REVIEW
by Tom Lichtenheld & Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld
BOOK REVIEW
by Amy Krouse Rosenthal ; illustrated by Mike Yamada
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.