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THEN THEY CAME FOR ME

A FAMILY'S STORY FOR LOVE, CAPTIVITY, AND SURVIVAL

This harrowing memoir provides an illuminating glimpse into the security apparatus of one of the world’s most repressive countries.

The elections of 2009 led to the largest street protests in Iran since the fall of the Shah, and the establishment responded by arresting and torturing thousands of the participants. With the assistance of Molloy (co-author: Jantsen’s Gift, 2009, etc.), Newsweek correspondent Bahari details his incarceration at the hands of the Revolutionary Guards in Teheran’s notorious Evin prison. Because both his father and sister spent years in Iranian prisons for their political activism, Bahari was better prepared for his ordeal than most people, but the reality was shocking even to him. He learned from his interrogator, a man he knew only as “Rosewater” due to his overpowering perfume, that the Islamic Republic believed he was an American spy and one of the chief instigators of the protests. The key piece of evidence against him was an interview he once gave to a correspondent from the Daily Show with John Stewart, who was dressed as a spy and who introduced him by saying, “He goes by the code name Pistachio.” Rosewater also presented him with the damning evidence of his membership in a Pauly Shore fan club on Facebook, and that he had traveled to New Jersey. Much of the book concerns the psychological impact of imprisonment and separation from loved ones, and Bahari draws upon the strength of his relatives to survive. While contemplating suicide, he imagined his father telling him, “You shouldn’t do their jobs for them. If they want to kill you, they can easily do it themselves.” Especially timely given recent events throughout the Middle East, this book is recommended for anyone wishing to better understand the workings of a police state.

 

Pub Date: June 7, 2011

ISBN: 978-1-4000-6946-0

Page Count: 384

Publisher: Random House

Review Posted Online: May 3, 2011

Kirkus Reviews Issue: May 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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