This trilogy opener may not be consistently inventive, but there are enough peculiar, oddball moments to keep readers...
This debut fantasy tests the theory that a great opening and closing number will cause an audience to forgive almost anything.
The novel ends with a spectacular battle, including a sword fight with skeleton bones. And the dialogue in the opening chapters is endlessly entertaining. Early on, George learns why Aunt Henrietta’s nickname is Chicken: “Chicken is long for Hen, which is short for Henrietta.” But the chapters in between are a standard-issue if ramblingly lengthy fantasy story, with characters searching for magical pieces of a talisman that will save the world from destruction. A few moments are gloriously odd, though, such as a scene in which a character reaches down a depressed dragon’s throat to ignite his pilot light. And the protagonist, George (she hates to be called Georgina), is always engaging. She’s as unfailingly polite as Alice was in Wonderland. The characters are just eccentric enough to keep people reading through the pedestrian chapters. (The human ones also seem to be just as white as the people in Carroll’s novels.) Hector, the dragon, is a highlight. He sticks up for his home world by saying, “We’re very cultured, you know. We have public-access television and ballets.”
This trilogy opener may not be consistently inventive, but there are enough peculiar, oddball moments to keep readers surprised from beginning to end. (Fantasy. 9-14)Pub Date: Sept. 27, 2016
ISBN: 978-1-62779-370-4
Page Count: 400
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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