Cover art for THE FOUR MS. BRADWELLS

THE FOUR MS. BRADWELLS

Buy now from
AMAZON.COM
BARNES & NOBLE
LOCAL BOOKSELLER
Add to my list

KIRKUS REVIEW

Clayton’s latest novel (The Wednesday Sisters, 2008, etc.) concerns four highly successful women exploring their friendship, along with the secrets they have shared and kept from each other for years.

Betts, Ginger, Laney and Mia graduated from law school in the early 1980s—their eponymous name for themselves refers to an 1873 ruling that denied women the right to practice law. Ironically, Ginger, the daughter of fiery feminist Faith, stopped practicing law when she got stuck on the mommy track and has become a poet. Mia, long divorced from her law-school boyfriend, who turned out to be gay, has also left the law to become a journalist. African-American Laney lives in an Atlanta suburb, where she is running for political office. And Betts, a widowed single mother and law professor, has been nominated to the Supreme Court. Her friends come to D.C. to support her during confirmation hearings, which go swimmingly until she’s asked about a mysterious death that occurred in 1982 at a house in Maryland that she was visiting. Amazingly, Betts leaves her advisors (and White House contacts) behind to spend the weekend with her friends, hiding out at the very house where the death occurred: Chawterley, Ginger’s family’s vacation estate on an island in Chesapeake Bay. As the women play Scrabble and reminisce, their private sorrows come to light: betrayals, affairs, heartaches. They also try to piece together what happened that long-ago weekend. It started out as a joyful vacation lark until Ginger’s brother Beau showed up with his villainous cousin Trey and friend Doug. While Mia and Beau hooked up, much to Betts’s jealous chagrin, Laney fended off Trey’s increasingly flirtatious advances, which culminated in a vicious rape. The next day he was found shot dead in what was written off as suicide. The truth that emerges is more complicated.

Though Clayton telegraphs her political points along with her plot and characterizations, there is a definite market for this kind of self-congratulatory women’s empowerment. This one meets all the requirements of Book Club Lit.

Pub Date: April 1st, 2011
ISBN: 978-0-345-51708-1
Page count: 336pp
Publisher: Ballantine
Review Posted Online:
Kirkus Reviews Issue: Nov. 1st, 2010



MORE BY MEG WAITE CLAYTON

Fiction Cover art for THE WEDNESDAY DAUGHTERS
by Meg Waite Clayton
Fiction Cover art for THE WEDNESDAY SISTERS
by Meg Waite Clayton
Fiction Cover art for THE LANGUAGE OF LIGHT
by Meg Waite Clayton


NEW AND NOTABLE TITLES FOR APRIL:

Nonfiction Cover art for ALL THAT IS BITTER AND SWEET
by Ashley Judd
Nonfiction Cover art for HERE ON EARTH
by Tim Flannery
Nonfiction Cover art for A COVERT AFFAIR
by Jennet Conant
Nonfiction Cover art for THE BRILLIANT DISASTER
by Jim Rasenberger
View full list >