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HAND ME DOWN

Failed by the adults in her life and forced to be the grown-up when she should be experiencing first dates and football...

First-time author Thorne wears her heart on her sleeve in this semiautobiographical tale about a 14-year-old who juggles equal amounts of hope and despair in her chaotic daily life.

Liz and younger sister Jaime have learned they can only count on one another after their mom, Linda, marries a convicted sex offender. Terrance, who parades around the small apartment half-dressed and leers at Liz, makes it clear that if she complains he’ll take it out on her sister. But when Terrance’s parole officer receives a tip that the ex-con is in violation of parole by living with the two girls, their mom’s solution is to farm the girls out to other family members. Jaime moves in with their dad, a lying drunk who mercilessly beat Linda during their marriage, while Liz is farmed out to Terrance’s brother, Gary, and his wife. Liz worries she’s missing too much school and is haunted by the fear that their father will repeat history and drive drunk with Jaime in tow. Liz continues to narrate her journey with prose that vibrates with intelligence and passion. Although she is just beginning her freshman year of high school, Liz manages to carry around with her a heavy burden of responsibility for her sister. Thorne writes Liz as world-weary and mature in ways children should not have to be. From the mother who willingly throws over her children for the promise of marriage to a man who uses her, to the well-meaning Aunt Deborah, who offers Liz a home she cannot accept, Thorne populates her pages with characters who are fascinating and sharply drawn.

Failed by the adults in her life and forced to be the grown-up when she should be experiencing first dates and football games, Liz is a wise, wry, wonderful heroine.

Pub Date: April 12, 2012

ISBN: 978-0-525-95268-8

Page Count: 320

Publisher: Dutton

Review Posted Online: Feb. 19, 2012

Kirkus Reviews Issue: March 1, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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