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NOTHING MAKES YOU FREE

WRITINGS BY DESCENDANTS OF JEWISH HOLOCAUST SURVIVORS

Tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget.

A superb anthology of prose work by members of the Second Generation.

Whether 18th-generation Germans or first-generation Americans, states novelist Bukiet (Strange Fire, 2001, etc.) in his elegant, somewhat contentious introductory essay, the children of Holocaust survivors indeed constitute a second generation for whom “there is no Before. In the beginning was Auschwitz.” Many of them, he notes, have become social workers, doctors, and other healers, but for the writers among them, healing is the least desirable response to what Bukiet usefully calls “the Khurbn,” the Yiddish term for catastrophe. (Because holocaust has been applied to so many other genocides since, he suggests, a new word needs to be found.) Healing is, after all, “another word for forgetting,” and those whose work Bukiet gathers here are determined to remember, even as they struggle with the problems attendant in bearing witness to events they experienced secondhand. This rich collection contains equal parts fiction and memoir; it is also, though Bukiet insists that “Hitler won” and Europe is now culturally Jew-less, evenly divided between contemporary European and American writers. Among its many highlights: Eva Hoffman’s recollections of growing up in post-Holocaust Poland subject to quotidian anti-Semitism; Val Vinokurov’s wonderful account of life in modern Miami, a city full of Holocaust survivors and “Jubans” (Cuban Jews) who are sometimes at odds with one another; and an excerpt from Esther Dischereit’s ironic fictional treatment of Jewish life in 1970s Germany. Bukiet’s own contribution, a Borgesian short story called “The Library of Moloch,” scores points for irony, too, and for its thought-provoking take on why it is important to remember the evils of the past.

Tenderness mixes with rage, sorrow with bitterness, in this first-rate gathering of pieces by those who refuse to forget.

Pub Date: April 1, 2001

ISBN: 0-393-05046-7

Page Count: 384

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2002

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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