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THE MERYL STREEP MOVIE CLUB

A heartwarming, spirit-lifting read just in time for beach season.

When Lolly Weller summons her daughter and nieces home to The Three Captains’ Inn, her announcement that she has been diagnosed with cancer is just one of many life-changing secrets to be told.

March’s debut novel uses the films of Meryl Streep to illuminate these women’s lives and to drive away the shadows that dim their happiness. After their mother and father die in a car crash, Isabel and June Nash are taken in by their Aunt Lolly, who lost her own husband in the same crash. Lolly’s daughter, Kat, gains instant sisters, but grief tinges the familial bonds. Now grown up, gathered back under Lolly’s roof, and drafted into Friday Movie Nights, these young women begin to reconsider the choices they have made—and the opportunities ahead. Like the heroine of Heartburn, Isabel is reeling from her husband’s affair. Handsome veterinarian Griffin might know the sting of infidelity, as well, and Isabel is certainly drawn to him for more than their shared pain. Kat has been all but betrothed to Oliver since they were toddlers, but she’s not sure if she is more ready to marry Oliver or to run off to a Paris patisserie. Defending Your Life makes her wonder if the real shame is in missing the opportunities life offers. Perhaps the exotic Dr. Matteo Viola is such an opportunity. Like the daughter in Streep’s Mama Mia!, June’s son, Charlie, has never known his real father. To help Charlie finish his family tree project, June agrees to once more search for John Smith, but maybe Henry Books is a truer father for Charlie. And she can’t deny her own attraction to him for much longer. But which movie mirrors Lolly’s past? What secret does she hide still? And why has she watched Out of Africa only once in her life?

A heartwarming, spirit-lifting read just in time for beach season.

Pub Date: June 19, 2012

ISBN: 978-1-4516-5539-1

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: May 19, 2012

Kirkus Reviews Issue: June 1, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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