Will certainly leave sci-fi fans elated, but should attract all readers.
In Hunt’s debut sci-fi thriller, one man must stop the launch of a spacecraft that might lead to the extinction of humankind.
The U.S. government sees Duke Nolan as a threat: Officials have surmised that he was taken by an alien race many years ago, so his recent knowledge of military secrets must mean that he’s either abetting aliens or is one of them. Duke, however, has another purpose. He’s been gifted with God’s Light—the same energy force used to create the universe. His mission? To prevent the completion of a ship designed after an alien spacecraft that is powered by a particle accelerator with the strength of God’s Light—and which could lead to catastrophic results. The notable presence of aliens makes it easy to define Hunt’s novel as sci-fi, but religion and (modern) science are also integral to the plot. In fact, Duke, intending to educate humans, says that God and science are “one and the same.” It’s a fascinating concept, asserting that evolution is part of God’s plan in lieu of a naturally occurring progression. The book is respectful to both sides of the debate; it does lean more toward religion, especially Christianity, but is never heavy-handed. Particularly compelling are the understated themes of the Crucifixion, the Great Flood and a clever reimagining of Adam and Eve. And Duke, despite his “power,” is kept human. When his family is killed in an attempt to get to him, readers can’t help but wonder if revenge is his true drive, especially after he dedicates some of his kills to family members: “This is for….” Hunt maintains suspense with a constant reminder of the impending launch—the book’s chapters are in descending order, like a countdown—and the final act blazes with solid action, a few surprises and an inspired way of tying together some of the lingering minor plots. Perhaps most significantly, readers are provided with an early taste of the particle accelerator’s destructive capabilities—planes falling from the sky, an entire country lost—so there’s no question of what the characters should fear.
Will certainly leave sci-fi fans elated, but should attract all readers.Pub Date: July 3, 2012
ISBN: 978-1470013592
Page Count: 356
Publisher: CreateSpace
Review Posted Online: Aug. 20, 2012
Review Program: Kirkus Indie
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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