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THE BOYHOOD OF CAIN

A coming-of-adolescence novel that rigorously avoids cliche.

An English boy engages with sex, art, and religion without the guidance of his failing parents.

Daniel’s father is the headmaster of a choir school, a plum position in a small English town and one that will soon evaporate. An illness and financial mismanagement force him into an early retirement and a half-life of ill-advised farming. Daniel’s mother, meanwhile, slumps into a depression that eventually becomes suicidal. In the midst remains the boy (as Amherst calls him), trying to matter-of-factly interpret the adult world. He’s impressed by psychotherapy, which he learns about on TV (“People are just like books—full of hidden meanings that need to be unearthed by an attentive reader”) and becomes indignant that the Anglican Church says he’ll have to become confirmed before receiving communion, so he refuses to do it (“Is this not exactly what Jesus would have done, he asks his parents? His mother does not welcome the comparison”). Daniel’s joys are drawn from Philip, a boy as smart as him but with more charisma and a stable family, and from Mr. Miller, a “young and exciting” art teacher who tutors the two boys in painting while their classmates play. Mr. Miller’s hipness is thrilling—he prefers Fauvism to John Constable—but it becomes sinister when he discusses “sex appeal” with a class of preadolescents. The novel’s plain style is contemporary, though Amherst is comfortable with figurative language: A vicar has a “face like a spoon,” the gap between two posh houses is “like a held breath before one makes a choice.” But when Amherst embraces ambiguity, in the moments where Daniel must admit no answer is to be found, the novel contains the same eerie spark that makes the bildungsromans of Hermann Hesse crackle.

A coming-of-adolescence novel that rigorously avoids cliche.

Pub Date: Feb. 25, 2025

ISBN: 9780593718520

Page Count: 208

Publisher: Riverhead

Review Posted Online: Jan. 18, 2025

Kirkus Reviews Issue: Feb. 15, 2025

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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