by Michael Bruza ; developed by Busy Bee Studios ‧ RELEASE DATE: March 20, 2014
As a story, it’s rather slight, but it does what it sets out to do well and with a sunny disposition to boot
Affection for his boy boosts a pet monster’s confidence with spectacular results in a breezy, enjoyable app.
In a world where people keep brightly colored, friendly monsters as companions—sort of like overgrown dogs—a kid named Ben receives a blue beast named Gurk as a birthday gift. Gurk is sweet but terribly shy. The puppylike creature hides in a closet and won’t interact with anyone but Ben. Gurk’s shyness causes Ben to miss the circus, but to make up for it, Gurk organizes an all-monster circus that turns out to be even better than the regular one. Soon, Gurk is teaching other monsters how to overcome their own shyness. Narrated in the voice of Ben with boyish enthusiasm, the story presents plenty of surprises, mostly in background animations. As in many other apps, touching characters and items on the screen creates little moments, but these are especially clever, fitting in well with the skewed, atomic-age art style. There are also eight games, but they’re short and simple, enhancing rather than distracting from the story. A high-wire balancing game at the circus and another that involves shooting marshmallows at targets are highlights. There’s lots of energy in the presentation, even with navigation that is unobtrusive and neat.
As a story, it’s rather slight, but it does what it sets out to do well and with a sunny disposition to boot .(iPad storybook app. 4-7)Pub Date: March 20, 2014
ISBN: N/A
Page Count: -
Publisher: Busy Bee
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
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by Michael Bruza ; illustrated by Michael Bruza developed by Busy Bee Studios
by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Alice Walstead ; illustrated by Andy Elkerton
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by Alice Walstead ; illustrated by Andy Elkerton
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
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