A short-story–sized mystery exploded by the triple-sized dose of vigilante justice Bosch gets to dispense as cop and father.
An apparently everyday murder in South Los Angeles takes Harry Bosch (The Brass Verdict, 2008, etc.) further and deeper than a case has ever sent him before.
Ordinarily the members of LAPD Robbery-Homicide’s Special Homicides squad wouldn’t touch a case as routine as the shooting of John Li. The elderly owner of Fortune Fine Foods and Liquors has been shot three times, presumably by the same person or persons who emptied his cash register and the surveillance video. Telltale clues and the testimony of Li’s frightened family members, however, suggest that their patriarch may have been executed by triad members when he refused to continue paying for protection. Unlike Ignacio Ferras, still spooked by the bullet he took for his partner, Bosch quickly gets his teeth into the case. But no sooner has he gathered enough evidence to arrest triad bagman Bo-Jing Chang than he’s threatened with unspecified evils if he doesn’t take off the heat. These evils swiftly assume malevolent shape when Bosch gets word that his daughter Madeline, half a world away in Hong Kong, has been kidnapped. Dropping everything to rescue the 13-year-old he’s known for only a few years, he flies to Hong Kong and embarks on a bravura sequence of action set-pieces evidently crafted with both eyes on the movies. (“Oliver Stone will direct it!” Lincoln Lawyer Mickey Haller exults.) Nine corpses later, Bosch is back in the United States with Madeline. He has to get her settled and deal with her traumatic memories; he has to face the Hong Kong police, who think for some reason that he’s a cowboy run amok; and of course he has to solve his case. After the exoticism and high intensity of his Far East adventures, however, these anticlimactic problems are resolved with suspicious facility.
A short-story–sized mystery exploded by the triple-sized dose of vigilante justice Bosch gets to dispense as cop and father.Pub Date: Oct. 13, 2009
ISBN: 978-0-316-16631-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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