by Michael Connelly ‧ RELEASE DATE: April 5, 2011
“With me, it’s don’t ask, don’t tell,” Mickey tells the starry-eyed Bullock, who wonders why this junkyard dog never asks...
Just in time for his movie debut this spring, Connelly brings back the Lincoln Lawyer for a satisfying case that pits him against a real-estate foreclosure mill.
Lisa Trammel never met Mitchell Bondurant, but the two of them had reason to loathe each other. As senior vice president at WestLand National Bank, Bondurant made the call to foreclose on Trammel’s house after her husband left her and their 9-year-old son and her mortgage went underwater. Nothing daunted, Trammel started a grassroots organization called Foreclosure Litigants Against Greed (FLAG) to fight WestLand and its allies in the media, and hired Mickey Haller (The Reversal, 2010, etc.) to fight WestLand in court. Both the legal battle and the media circus take a dramatic new turn when Bondurant is found bashed to death in a parking garage and a witness places Trammel half a block away within a few minutes of the bashing. Det. Howard Kurlen, LAPD, immediately picks up Trammel, questions her and then arrests her for murder. Digging in her heels, she insists that she didn’t kill Bondurant; she never even met Bondurant; she’s never changed her story one bit; and every bit of forensic evidence against her—and by the end, there’s plenty—can be explained as part of a frame-up. It’s the job of Mickey, his investigator Dennis (“Cisco”) Wojciechowski and his new associate Jennifer (“Bullocks”) Aronson to dig up someone who could plausibly have framed her. As the evidence piles up against Trammel, evidence casting suspicion on Bondurant’s other associates piles up alongside it. Mickey is beaten up by two guys who clearly don’t like the questions he’s been asking. The mountain of paperwork prosecutor Andrea Freeman reluctantly shares with Mickey discloses an unsavory connection that could well point to another killer. And the third-party suspect Mickey zeroes in on obligingly behaves exactly like a guilty party.
“With me, it’s don’t ask, don’t tell,” Mickey tells the starry-eyed Bullock, who wonders why this junkyard dog never asks his client if she’s innocent. Though the answer isn’t as mysterious as you might like, the courtroom scenes—thrust, parry, struggle for every possible advantage—are grueling enough for the most exacting connoisseur of legal intrigue.Pub Date: April 5, 2011
ISBN: 978-0-3160-6935-9
Page Count: 416
Publisher: Little, Brown
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Kathy Reichs ‧ RELEASE DATE: March 17, 2020
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Caitlin Mullen ‧ RELEASE DATE: March 3, 2020
A lyrical, incisive, and haunting debut.
In Atlantic City, the bodies of several women wait to be discovered and a young psychic begins having visions of terrible violence.
They are known only as Janes 1 through 6, the women who have been strangled and left in the marsh behind the seedy Sunset Motel. They wait for someone to miss them, to find them. That someone might be Clara, a teenage dropout who works the Atlantic City strip as a psychic and occasionally has visions. She can tell there's something dangerous at work, but she has other problems. To pay the rent, she begins selling her company, and then her body, to older men. One day she meets Lily, another young woman who'd escaped the depressing decay of Atlantic City for New York only to be betrayed by a man. She’s come back to AC because there’s nowhere else to go, and she spends her time working a dead-end job and drinking herself into oblivion. Together, Clara and Lily may be able to figure out the truth—but they will each lose something along the way. Mullen’s style is subtle, flowing; she switches the narrative voice with each chapter, giving us Clara and Lily but also each of the victims. At the heart of the novel lies the bitter observation that “Women get humiliated every day, in small stupid ways and in huge, disastrous ones.” Mullen writes about all the moments that women compromise themselves in the face of male desire and male power and how they learn to use sex as commerce because “men are always promised this, no matter who they are.” The other major character in the novel is Atlantic City itself: fading; falling to ruin; promising an old sort of glamour that no longer exists; swindling sad, lonely people out of their money. This backdrop is unexpected and well rendered.
A lyrical, incisive, and haunting debut.Pub Date: March 3, 2020
ISBN: 978-1-9821-2748-0
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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