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PLUNDERING PARADISE

THE HAND OF MAN ON THE GALÁPAGOS ISLANDS

The rotting underside of a lovely, fragile leaf. Disturbing. (16 b&w photographs; 14 maps, not seen)

A journalist repudiates the usual Discovery Channel views of the remarkable islands and examines the lives of the many who call the Galápagos home.

When he began this project, D’Orso (Like Judgment Day: The Ruin and Redemption of a Town Called Rosewood, not reviewed, etc.) held the common belief that the Galápagos is largely an unpopulated natural laboratory where unique animal and plant species exist undisturbed, seen only by the curious eyes of scientists and eco-tourists. Not so, discovered D’Orso, who made four trips to the islands in the course of writing this stunning and depressing account of human beings once again despoiling a paradise. In was not until 1959 that the islands were declared an Ecuadorian national park, and the terms of that legislation allowed current residents to remain. That handful of people has grown into thousands, many of them impoverished, making their livings by illegal fishing, hunting, and harvesting—by the thousands—sea cucumbers, whose putative aphrodisiac qualities make them valuable in Asia but whose absence from the food chain threatens other species. D’Orso employs several characters throughout, most notably Jack Nelson, who, in Puerto Ayora, operates a no-frills hotel that serves as a membrane through which information passes to D’Orso. But he doesn’t just sit in island bars listening to stories. He visits settlements, interviews hookers, eco-warriors, government officials, artists, and professional goat-hunters (hundreds of thousands of feral goats, donkeys, and pigs threaten the native wildlife and vegetation). Add to this already rather nasty stew a flavoring of government corruption, incompetence, and venality. Perpetually unstable, the government of Ecuador (600 miles away) was enduring a variety of economic and political shocks during D’Orso’s research, and he constantly reminds us not just of the vulnerability of the islands but also of the human institutions that ought to be protecting them.

The rotting underside of a lovely, fragile leaf. Disturbing. (16 b&w photographs; 14 maps, not seen)

Pub Date: Dec. 3, 2002

ISBN: 0-06-019390-5

Page Count: 368

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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