by Michael Genhart ; illustrated by Anne Passchier ‧ RELEASE DATE: May 7, 2019
A welcome addition to rainbow bookshelves and a potential workhorse in June.
A pleasant look at the rainbow flag.
Tailor-made for LGBTQ–pride storytimes, this self-described “first book of pride” looks at the six-color rainbow flag and dissects the meaning behind each color. Genhart’s text is set primarily in single sentences across each double-page spread, with a longer summation on the final page. Fans of Todd Parr’s books will find the formatting (if not the colors) familiar. Like Parr’s work, the text is simple, with one or two multisyllabic words per page, which nicely allows for breakaway moments to “clap out” syllables or have a discussion about a reach word. Passchier’s illustrations—bright, serviceable, and most likely digital—capture a range of skin tones and ethnicities but, sadly, not a range of ages among adults depicted. LGBTQ grandparents, for instance, won’t find themselves, as all the characters appear as either children or young caregivers. The illustrations adequately enhance the text throughout, although the image for violet’s representation of “spirit” (a smiling child finger painting in a purple room) may have adult readers pausing to make the connection. A page of international pride further along in the book is lovely but aspirational, as some of the suggested nations (Egypt, for example) still struggle with LGBTQ acceptance compared to Western Europe and the United States.
A welcome addition to rainbow bookshelves and a potential workhorse in June. (Picture book. 2-5)Pub Date: May 7, 2019
ISBN: 978-1-4338-3087-7
Page Count: 24
Publisher: Magination/American Psychological Association
Review Posted Online: March 2, 2019
Kirkus Reviews Issue: March 15, 2019
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by Stéphanie Babin ; illustrated by Ilaria Falorsi ; translated by Wendeline A. Hardenberg ‧ RELEASE DATE: March 5, 2019
Genial starter nonfiction.
Panels activated by sliding tabs introduce youngsters to the human body.
The information is presented in matter-of-fact narration and captioned, graphically simple art featuring rounded lines, oversized heads and eyes, and muted colors. The sliding panels reveal new scenes on both sides of the page, and arrows on the large tabs indicate the direction to pull them (some tabs work left and right and others up and down). Some of the tabs show only slight changes (a white child reaches for a teddy bear, demonstrating how arms and hands work), while others are much more surprising (a different white child runs to a door and on the other side of the panel is shown sitting on the toilet). The double-page spreads employ broad themes as organizers, such as “Your Body,” “Eating Right,” and “Taking Care of Your Body.” Much of the content is focused on the outside of the body, but one panel does slide to reveal an X-ray image of a skeleton. While there are a few dark brown and amber skin tones, it is mostly white children who appear in the pages to demonstrate body movements, self-care, visiting the doctor, senses, and feelings. The companion volume, Baby Animals, employs the same style of sliding panels to introduce youngsters to little critters and their parents, from baboons to penguins.
Genial starter nonfiction. (Board book. 2-5)Pub Date: March 5, 2019
ISBN: 978-2-40800-850-5
Page Count: 12
Publisher: Twirl/Chronicle
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
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by Stéphanie Babin , illustrated by Marion Billet , Hélène Convert Julie Mercier & Emmanuel Ristord ; translated by Wendeline A. Hardenberg
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by Todd Parr ; illustrated by Todd Parr ‧ RELEASE DATE: June 18, 2019
Vague, slapdash reassurances to readers growing up in a worrisome world.
Simple comforts for young fretters and overthinkers.
Recycling themes and even some images from The I'm Not Scared Book (2011), Parr first enumerates a selective list of things that can cause anxiety (fears of the dark or of having to go to the doctor, having too much to do, being bullied) and times that worrying can happen. The latter include lying awake in bed, watching TV, "looking at screens too much" (a frazzled-looking person holds a tablet), and overhearing "bad news"—exemplified with an image of a flying saucer, travelers from abroad (of one sort or another) being much on people's minds these days. He then goes on to general coping strategies ranging from taking deep breaths to visiting friends, dancing, squeezing a toy, or just thinking about "everyone who loves and takes care of you!" "Worrying doesn't help you," he concludes, but talking about concerns will. Readers searching for books that address deeper-seated anxiety might be better served by Me and My Fear, by Francesca Sanna (2018). In Parr's thick-lined, minimally detailed illustrations, the artist employs his characteristic technique of adding blue, purple, and bright yellow to the palette of skin tones; he also occasionally switches out human figures for dogs or cats behaving as people would. It's a strategy, though it leaves the cast with a generic look overall.
Vague, slapdash reassurances to readers growing up in a worrisome world. (Picture book. 2-5)Pub Date: June 18, 2019
ISBN: 978-0-316-50668-7
Page Count: 32
Publisher: Little, Brown
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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