Still, an engrossing portrayal of ordinary women in extraordinary circumstances.
Three young women supply a gritty grunt’s-eye view of World War II in the opener to an ultrahistory series.
After a court decision declares women eligible for combat, aimless California farmer’s daughter Rio Richlin volunteers for the Army, partly to avenge her sister’s death but mostly to keep her best friend company. Diminutive, compassionate, and determined, African-American Frangie Marr enlists for the paycheck, but she also hopes for medical training. And Jewish Rainy Schulterman just wants to pour all her ferocious intelligence and steely will into killing Nazis. Switching among these three viewpoints, the narrative slowly constructs intimate portraits of each, as the “soldier girls” are tested in body and spirit, overcoming laziness, fear, and cockiness. They suffer through boredom, rough conditions, and incompetent commanders as well as routine sexism, racism, and anti-Semitism (authentically, highly offensive language is employed throughout). A framing device ponderous with foreshadowing—along with such standard teen tropes as love triangles and family secrets—keeps the plot moving, but it’s the immersive, quotidian details that set up the gripping climax amid the chaos of combat. Bestselling science-fiction author Grant did his research (an extensive bibliography is provided), but the odd and likely unintended consequence of his premise is the erasure of thousands of military women who historically served and fought and died.
Still, an engrossing portrayal of ordinary women in extraordinary circumstances. (Alternate history. 14 & up)Pub Date: Jan. 26, 2016
ISBN: 978-0-06-234215-7
Page Count: 576
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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