Sweeping love story of Marilyn Monroe's long-standing affairs with Senator, then President, Kennedy and brother Bobby. That Marilyn and JFK might someday be worthy of the high treatment given by Wild Bill Shakespeare to Antony and Cleopatra remains a teaser for playwrights and novelists. But in his latest (already slated for filming as well as heavy marketing), Korda- -Queenie, Curtain, etc.—sets his sights much lower than great tragedy and gives us a work of strong intelligence and ravishing vulgarity. Almost no event in it is unfamiliar, though its great garden of sex-play springs largely from imagination. Many readers will be dismayed by Korda's pillow talk among the gods, sex chat given a saltiness that may fit the actual MM & JFK but that looks cheap on paper. The story: MM, married to DiMaggio, meets Senator Kennedy at a Beverly Hills party; he gives her his card; they rendezvous. Marilyn is bored by her husbands and treats adultery like a midnight plum duff. She loves Jack, Jack loves MM. He has an arrangement with Jackie that his satyriasis need not be contained but must remain discreet; MM's being the most famous woman in the world, however, crimps JFK's ties with jealous Jackie, who finds out about the ongoing affair. Meanwhile, RFK attacks the Teamsters hierarchy, Dave Beck and Jimmy Hoffa, and Jimmy in turn bugs Peter Lawford's love-tryst bungalow, various hotel rooms, and MM's phone and bedroom, all of which are already bugged by J.Edgar Hoover's FBI team. Once JFK is president, he withdraws from MM. RFK becomes her lover, gets her with child. MM's meds take their toll, she becomes ever more erratic, puts unbearable strain on the Brothers K when she announces a tell-all press conference.... About midway, when the freshness of the lovers wanes and a certain sourness overtakes them, the story darkens and the mechanics of the many- leveled plot deflates the reader's gusto, though not Korda's. Many brilliant scenes, but not as artful or haunting as Sam Toperoff's 1991 MM novel, Queen of Desire. (Literary Guild Dual Selection for November)
Pub Date: Sept. 1, 1992
ISBN: 0-671-74526-3
Page Count: 560
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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