by Michael Morpurgo ‧ RELEASE DATE: Aug. 22, 1983
Despite relentless English and German anti-war rumination, and Joey's own supra-equine understandings: some distinct...
In effect, a horse's eye view of the First World War—heart-rending in Black Beauty tradition, anti-war like All Quiet..., certainly unusual and dramatic.
The spirited young stallion is purchased by a Devon farmer, vicious when drunk, to thwart a despised neighbor; he is protected, however, by the farmer's gentle young son Albert, then 13, who names him Joey (to rhyme with old farm horse Zoey), tends him fondly, and trains him—"inside a week," after a paternal threat—to pull a plow. ("For [Zoey's] sake and for my own sake, for Albert's, too, I leaned my weight into my collar and began to pull.") Rumbles of war, then the reality: Joey is sold to the British cavalry, distraught Albert is turned away as too young, Joey acquires a new protector in Captain Nicholls and a new friend in majestic Topthorn. Following Captain Nicholls' death Joey and Topthorn are the sole horse survivors of what will be the war's last cavalry charge—clearly insane in the face of machine guns and barbed wire. Now German "prisoners," they are first utilized to pull ambulance wagons (under the reluctant aegis of a German aristocrat-horselover); then, happily, put to farm work by an elderly Frenchman and his lovable granddaughter Emilie; then recalled, to haul guns, by other, sterner Germans. (Says insightful Joey: "It was not that they were cruel men, but just that they seemed driven now by a fearful compulsion....") Staunch Topthorn dies, and Joey finds himself alone in No Man's Land, approached by a single Briton and a single German...who toss a coin—which comes up heads for the Briton. At the veterinary hospital, he is reunited (surprise) with Albert; then, saved by an all-hands effort from tetanus. But, incredibly, worse is still to come: at war's end, the war-veteran horses are auctioned off, and Albert and his buddies are almost outbid for Joey by the local butcher...when little Emilie's old farmer-grandfather steps in...not to rescue Joey for her but to present Joey to Albert in her memory. (That sentimental nadir is followed, fortunately, by brief word that Albert's soon-to-be-wife "never did take to me, nor I to her.")
Despite relentless English and German anti-war rumination, and Joey's own supra-equine understandings: some distinct glimpses of how it was to be a war-horse—in addition to that thundering melodrama. (Historical fiction. 10-14)Pub Date: Aug. 22, 1983
ISBN: 978-0-439-79663-7
Page Count: 184
Publisher: Scholastic
Review Posted Online: April 29, 2014
Kirkus Reviews Issue: Aug. 1, 1983
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by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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by Soman Chainani ; illustrated by Iacopo Bruno
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BOOK TO SCREEN
by Katherine Marsh ‧ RELEASE DATE: Aug. 7, 2018
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high...
Two parallel stories, one of a Syrian boy from Aleppo fleeing war, and another of a white American boy, son of a NATO contractor, dealing with the challenges of growing up, intersect at a house in Brussels.
Ahmed lost his father while crossing the Mediterranean. Alone and broke in Europe, he takes things into his own hands to get to safety but ends up having to hide in the basement of a residential house. After months of hiding, he is discovered by Max, a boy of similar age and parallel high integrity and courage, who is experiencing his own set of troubles learning a new language, moving to a new country, and being teased at school. In an unexpected turn of events, the two boys and their new friends Farah, a Muslim Belgian girl, and Oscar, a white Belgian boy, successfully scheme for Ahmed to go to school while he remains in hiding the rest of the time. What is at stake for Ahmed is immense, and so is the risk to everyone involved. Marsh invites art and history to motivate her protagonists, drawing parallels to gentiles who protected Jews fleeing Nazi terror and citing present-day political news. This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace.
A captivating book situated in present-day discourse around the refugee crisis, featuring two boys who stand by their high values in the face of grave risk and succeed in drawing goodwill from others. (Historical fiction. 10-14)Pub Date: Aug. 7, 2018
ISBN: 978-1-250-30757-6
Page Count: 368
Publisher: Roaring Brook Press
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
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by Katherine Marsh ; illustrated by Kelly Murphy
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