by Michael Palin ‧ RELEASE DATE: March 15, 2011
Pythonophiles will find this essential, of course. But fans of good writing should dip into these pages, too, for...
Renowned funnyman and world traveler Palin surveys the ruins of the British Empire and heads outward in the follow-up to Diaries 1969–1979: The Python Years (2007).
In 1980, following the release of the films Monty Python and the Holy Grail and Life of Brian, Palin and his fellow Pythons seemed poised to conquer the American film industry, with their representative asking more than $6 million for a mere treatment for Paramount. Eight years later, as this installment in the author’s journal closes, the sextet has effectively stopped working together, and Palin is about to embark upon the global adventures that yielded Around the World in 80 Days, Pole to Pole and other travelogues. In between, the author writes about all manner of things connected to the film and TV business and the more learned reaches of entertainment. He kvetches about Hollywood’s creative accounting (“The upshot is that not only will there not be a penny profit from America from a movie which was one of the top 40 grossers of the year in the US, but the earnings will hardly cover half the production cost”) and about the conception of various projects such as Terry Gilliam’s Time Bandits, which, despite the contributions of Sean Connery and the general merriment, Palin still wants to call Terry Gilliam’s Greed. Throughout, Palin is sharp, literate, shrewd and sometimes harsh about the people he encounters. It will not please fans of The Songlines, for instance, to learn that Palin found Bruce Chatwin “rather sneery about things in a slightly aggressive, camp way which I don’t awfully take to.” Neither might Mel Brooks forgive Palin’s description of their chance encounter, which would seem to demonstrate definitively that “Brooks has an almost pathological inability to accept competition—it’s all a reduction of his own world.”
Pythonophiles will find this essential, of course. But fans of good writing should dip into these pages, too, for Palin—Michael, not Sarah—knows his way around a book.Pub Date: March 15, 2011
ISBN: 978-0-312-68202-6
Page Count: 680
Publisher: Dunne/St. Martin's
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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